|
The Mangrove Sounds System is probably the first and
original Sound System location to be at Carnival. In
the past this location played host to famous singers
like 'Eddie Grant' and local sound systems like,
'Sledgehammer', 'Java', 'Special Edition',
'Black Patch' and the mighty
'Rapattack'.
Judging by the name, there's obviously a lot of
history that surrounds Mangrove, which has
been based on the All Saints Road (formerly known as
the front-line), Ladbroke Grove for as long as can
be remembered.

The All Saints Road is the street where the Carnival
originated and the concept of this Sound System was
founded by the forefathers of the original
'Mangrove Nine'. The 'Mangrove Nine' were
'instrumental in the Home Secretary's decision to
commission a report into the growth of black power
and an unofficial independent enquiry into
police/black relations' back in the 1970's. The
Mangrove bears its name from the restaurant and
community association which was set up by the
infamous
Frank Critchlow
in the 1960's. The local Caribbean community
regarded the Mangrove restaurant as a 'social
centre', or 'unofficial advice bureau' and after
police raids in 1970, it became 'a symbol of black
enterprise and resistance'. With an enormous
following of supporters (most of whom have
originated in Trinidad), the Mangrove Sound System
is part of an award winning enterprise of Carnival
entertainment that includes the
Mangrove Mas (costume) band
and the
Mangrove
Steel Band who are one of the largest/most
travelled and professional Steelbands in Britain.
Born out of the vision and determination of
Trinidadian's living in the Notting Hill area in a
quest to introduce the culture of 'back home' and
Carnival to the local youths of the community. This
was to ensure that Caribbean art forms were handed
down from generation to generation. The Mangrove
Sound System takes over the spot when its sister
(the steel band float) raises anchor to venture out
on the Carnival route. 'Needless to say, the flavour
is predominantly Caribbean and Soca, although reggae
and other niceties are to be heard throughout the
Carnival days.
Thank to Alistair Roberts (Rapattack) and James
Proctor (Black Historian): Dwelling Places: Postwar
Black British Writing.
|